![]() ![]() You didn't even use groove quantization, production never means just slapping quantization on your tracks and calling it a day - that's just very basic stuff everyone with a bit of experience knows. That's almost exactly what he concludes, at least he tends to go hard on "everything used to be better" without ever really making a great argument. My favorite example is of him taking Bonzo stems, quantizing them straight on the grid, comparing both and then concluding that modern, quantized music is shit. I like enough tips of his, but he's got a history of bad temper during his streams and is submitting some weird takes on really basic shit as gospel when anyone with half a year of education can prove him wrong. ![]() (vocal synths though, can't wait for 'em)ĭon't know about Rhett, but Beato is one of the biggest production posers I know. It's all about the tune, sometimes people get way too hung up on using the most authentic sample libs when the melody should have been a synth all along - or something to that effect. Even with free software the gap is closing steadily, if a bit too slowly.Īnd honestly, it's not like the electronic pioneers of even 40 years back made bad music. All that is in anyone's way (short of the money required to afford all of that stuff, ofc) is practice and intuition about orchestration and idiomatic music. zirconst even put a cover of the opening song on sound cloud and while there is still a clear different between the original performance, much of it is attributable to them probably not going full production on their demos and me having a reference. Vocalista is a sweet Bulgarian choir module every fan of Ghost in the Shell probably can sympathize with. Again Impact Soundworks, but they just know their stuff. Sometimes it's just about getting the right samples, even if some things are missing. Even if I end up recording myself or some singer friend, getting a blank slate to work from without getting irked by your own voice would do so much for sketching entire songs. the only thing really missing at this stage is some kind of more convenient articulation control (can't wait to automate stuff with my mind or something) and a vst that allows me to put together and synthesize lyrics in my thing. You can easily map out tunes, adjust them to your liking, humanization engines for drums and all kinds of instruments are fantastic. You get literally all the articulations and plenty of in-plugin sound adjustment. Impact Soundworks Shreddage series for guitar. ![]()
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